Acclaimed artist Yaacov Agam fundamentally challenged the accepted idea of art as a fixed image. Sayako Aragaki, once a curator for an Agam exhibition, elaborates on the Jewish aspects of Agam’s work from a Japanese perspective.
Sayako Aragaki’s book recalls in a concise and vibrant way the various stages of a work which, during the last half century, did not cease developing in many directions, while
remaining faithful to the vision of the artist.
From review of Marc Scheps, former director of the Tel Aviv Museum of Art and the Ludwig Museum, Cologne.
